I am available to supervise in the area of Italian and European medieval and early modern art, cross-cultural artistic exchange, and materials and technologies of art making. Current and recent supervisions:
Joanne Morice, ‘The Embriachi workshop:, ivory, luxury and markets in trecento Europe.’ 2019-2022. Principal supervisor.
Liu Shiqui, ‘Coming to Cathay: Foreign Influence on Art in Mongol Yuan China,’ 2019-2022. Principal supervisor.
Louise Box, ‘The Secret Lives of Prints: the print albums of Elizabeth Seymour Percy, 1st Duchess of Northumberland (1716-1776),’ 2016-2020. Joint supervisor.
Catherine Blake, ‘Vitale da Bologna and the Logic of Painting,’ University of Sydney, 2018. External examiner.
Joanne Morice, 'Making the Immaterial Material: The Embriachi Workshop, Ivory, and Mass Production in the Gothic Age. 2017. Principal supervisor,
Riley McPherson, ‘Monstrous Mothers of the Histories Prodigieuses,’ 2019.
Sakina Hanif Nomanbhoy, ‘Beyond Fear & Curiosity: Re-Imagining Süleyman I’s Empire,’ 2018-2019
Mary Hurley McGillivray , ‘Hypermediacy and allegory: Giotto's Circumspection and Wild Man,’ 2018-2019.
Catherine Mahoney, ‘The Trecento Knitting Madonna: Motherhood, Making and Materiality,’ 2018.