Lecturer in Music (Composition) at Melbourne Conservatorium of Music, Faculty of Fine Arts & Music.
Hailed by The Herald Scotland as a 'Renaissance Woman', Miriama Young is an award-winning composer and sound artist. Her work seamlessly combines technology, soundscape, interactivity, field recordings, sound art with live acoustic instruments to produce unique sound worlds. Without distinction for genre, she collaborates with artists across dance, film, radio, installation to create physically immersive experiences across sensory dimensions.
Her instrumental and vocal music is programmed in concerts stretching from Norway to New Zealand, including commissioned premieres by Sydney Symphony Orchestra, Scottish Opera, Stroma, HD Duo, Strike Percussion, HD Duo, and Xenia Pestova.
Her film soundtracks have featured at major festivals worldwide, her installations at Vivid Sydney, New York City's Puffin Room and Gallery 138, and her radio work and recordings on National Public Radio (USA), the ABC (Australia), and Radio New Zealand. She has represented New Zealand at the International World Music Days Festival and is represented by SOUNZ and the Australian Music Centre.
A Fulbright scholar, Miriama attained Bachelor of Arts and Bachelor of Music (1st Class Hons) degrees from The New Zealand School of Music Te Kōkī; The University of Wellington, and her MFA and PhD from Princeton University. Previous academic posts include the University of Aberdeen; University of Sydney Conservatorium of Music and UNSW. She has held artist residencies at Yaddo and MacDowell Colonies.
Her scholarly work examines the human voice and recording technology, and a monograph on this subject, Singing the Body Electric: The Human Voice and Sound Technology (Routledge, 2015) is listed in the Times Higher Education Best Books 2015. Chapters and articles on this theme ar