Olivia Meehan

Discipline-led Thinking Through Cultural Collections and Art

Olivia Meehan

Book Chapter  |  2022

The book constructs a solid argument for the further development of visual pedagogies in higher education, highlighting the need t..

Seaside Mountain Cherries in Full Bloom

Olivia Meehan

Journal article  |  2021  |  H-France Salon

The courtyard faces north-west. Although it has a small footprint I have managed to plant a range of ornamental seasonal delights ..

Some Japanese Flowers

Olivia Meehan

Journal article  |  2019  |  Pleasure Garden Magazine, London

In the turn towards winter a hedgerow of camellia japonica presents a constellation of buds cast against its deep green foliage, a..

Trees for the Imagination

Olivia Meehan

Journal article  |  2019  |  Pleasure Garden Magazine, London

Much like the Japanese art of flower arranging, bonsai is considered an art form of high aesthetic value, striving through an inti..

Observance of Autumn

Olivia Meehan

Journal article  |  2019  |  Pleasure Garden Magazine, London

Chrysanthemum day kiku no sekku 菊の節, celebrated on the ninth day of the ninth lunar month and deep in the heart of autumn, was ini..

ABSORB: The lustrous medium of glass

Olivia Meehan

Journal article  |  2015  |  Craft Arts International

Considering the role of Utsusu 写すin Nanban byōbu 南蛮 屏風

Olivia Meehan

Book Chapter  |  2014

Before a Trade Agreement: First Encounters between Japan and Europe

Olivia Meehan

Journal article  |  2013  |  TAASA review: the journal of the Asian Arts Society of Australia

An Identity Re-Forged in Mild Steel: The Work of Kensuke Todo

Olivia Meehan

Journal article  |  2012  |  TAASA review : the journal of the Asian Arts Society of Australia