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Dr

Ros Bandt

Honorary
Student And Scholarly Services
Sound Culture
sound architectural space
music composition
performing arts and creative writing
Ros Bandt's Profile Picture
Dr

Ros Bandt

 
Division
Chief Operating Officer
 
Primary Interest
Acoustic ecology
Ros Bandt's Profile Picture
Dr

Ros Bandt

 

Ros Bandt is an internationally acclaimed sound artist. composer, performer, installation artist, sound researcher and author.

She has pioneered many forms of sound art including sounding industrial chambers, original glass music, building sound playgrounds, and interactive mixed media installations and sound sculptures. She is a founding member of ensembles, LIME, Back to Back Zithers, La Romanesca, Carte Blanche and the Free Music Ensemble. She was awarded the Don Banks Composers Award for her original work and many national and international innovation awards including the Benjamin Cohen Peace Prize. She is published by Sonic Gallery, Move, Wergo, EMI, New Albion Records, Pozitif, Fine Arts Press, and Cambridge Scholars Publishing. As well as her artistic practice she directs the award winning on line the Australian Sound Design Project at the Australian Centre, the University of Melbourne, funded on her third ARC grant. Her books and writings on sound art and culture are well known.

Research Interests SOUND ART AND CULTURE

Place as Acoustic Space, Sonic Architectures, Site specific sound, Sound sculpture and sound installation, Australian Sound Designs in Public Space, Interactive Spatial Music Systems, Endangered Sounds, Environmental Sound Art Practices, Sonic Archeology, International and Cross Cultural Sound Collaborations. Performance Practice of Repetitive Music . Chance and Indeterminacy in John Cage.
Creating original installations, performance and sound events as applied research.

Scholarly Works

Displaying the 71 most recent scholarly works by Ros Bandt.

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Exhibition of Sound and Vison: Passing Through: Sydney Road sound installation and story sharing

RE Bandt

Creative Published Work  |  2013

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Artifice et Intégration dans la création des installations sonore et musique environnementale in situ: Floating Glass et Jaara Jaara Digital Acoustic Sanctuary (Artifice and Integration as design considerations in creating site specific sounding environments, Floating Glass in the art gallery and the Jaara Jaara bush projects compared)

RE Bandt

Conference Proceedings  |  2013  |  Colloque Internation Symposium

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The Preserves Project

RE Bandt

Creative Published Work  |  2013

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Floating Glass

RE Bandt

Creative Published Work  |  2013

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Exhibition for Melbourne Prize

RE Bandt

Creative Published Work  |  2013

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Designing Interactive Processes in Recent Environmental Sound Art: Blue Gold and Medusa Dreaming

RE Bandt

Conference Proceedings  |  2012  |  Australasian Computer Music Conference Proceedings

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Tracings

RE Bandt

Creative Published Work  |  2012

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Biosphere Soundscapes: World Listening Day 2012

RE Bandt

Live Performance of Creative Work  |  2012

Biosphere Soundscapes launches on World Listening Day 2012 with a field-recording lab in the Noosa Biosphere followed by a forum a..

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Rivers Talk

RE Bandt

Live Performance of Creative Work  |  2012

Radiophonic work for enhanced stereo

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The Last Time I Saw You

RE Bandt

Creative Published Work  |  2012

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Bringing the sounds back to Etz Hayyim: An acoustic profile of a resurrected endangered space

RE Bandt

Journal article  |  2012  |  Soundscape: The Journal of Acoustic Ecology

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Bluegold

RE Bandt, L Barclay

Creative Published Work  |  2012

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Situational listening as a methodology for rehearing the past: ancient Mycenea Ortygia and Dordoni

RE Bandt

Conference Proceedings  |  2011  |  International Conference on Acoustic Ecology

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Sonic Blue Red Tracings

RE Bandt

Live Performance of Creative Work  |  2010

The sound work deals with the topic of dealing with identities and mutual cultural influence using the colours red blue and points..

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Black Falcon

RE Bandt

Creative Published Work  |  2010

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Confetti

R BANDT

Creative Published Work  |  2009

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Mind in Soul

R BANDT

Live Performance of Creative Work  |  2009

World Aeolian Harp Project

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Artist Talk: Finding Isobue: From the Hydrophone to the Radio studio to the Gallery; spacial sonic designs of an endangered sound

R BANDT

Conference Proceedings  |  2009  |  Sound : Space

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Whale Song

R BANDT

Creative Published Work  |  2009

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Isonageki: Sea Lament

R BANDT

Creative Published Work  |  2008

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Free Diving

R BANDT

Live Performance of Creative Work  |  2008

Sounding Spaces: From Venice to Sugashima and Back, The Melbourne Recorder Orchestra

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Hearing the Free Music: Percy Grainger, Australian Visionary of the Soundscape, Creator of Electro-Acoustic Free Music and Sound Machines

R BANDT

Journal article  |  2008  |  Soundscape: The Journal of Acoustic Ecology

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Isobue

R BANDT

Audio Visual Recording  |  2008

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Creative Conservation 3 Peaceful Space: sound, space and the environment

R BANDT

Audio Visual Recording  |  2008

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Improvised Tarhu dedication to Andrian Pertout

R BANDT

Live Performance of Creative Work  |  2008

MCL Elbow Room Concert 20 July 2008

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Place as acoustic space: Hearing Australian Identity

R BANDT

Book Chapter  |  2008

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Sounding the Space

R BANDT

Live Performance of Creative Work  |  2008

The interdisciplinary/ intercultural/ interart forum is a 'festival of ideas' that brings diverse perspectives on and interpretati..

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Recording for Experiential Flexible Sound Installation 1977-2007

R BANDT

Journal article  |  2008  |  Australasian Sound Archive

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Sea Folk Voices

R BANDT

Live Performance of Creative Work  |  2008

Sounding Spaces: From Venice to Sugashima and Back, The Melbourne Recorder Orchestra

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La Romanesca

undefined Griffiths, undefined Newnham, R BANDT, undefined Wilkinson

Live Performance of Creative Work  |  2008

Hartley Newnham presents a Millennium of Music in 2008 near the You Yangs (Third Series)

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Shima: 8 Haiku for Kumi - Isobue 20/24/

R BANDT

Live Performance of Creative Work  |  2008

The 7th Annual International Women’s Electroaccoustic Listening Room Project 1 March 2008

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Improvisation for Manning Clark House

R BANDT

Live Performance of Creative Work  |  2008

Innovative sound composition

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Sydney Road, the World in a Street

R BANDT

Audio Visual Recording  |  2008

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Ikawi

R BANDT, S Sim, undefined Burke

Live Performance of Creative Work  |  2008

The Free Music Ensemble, Living Spaces

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Tragoudia

R BANDT

Live Performance of Creative Work  |  2008

A work for the Tarhu and tape. Based on Greek goat-songs.

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Stack

R BANDT

Live Performance of Creative Work  |  2008

The Free Music Ensemble, Living Spaces

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Husa

R BANDT

Live Performance of Creative Work  |  2008

Sounding Spaces: From Venice to Sugashima and Back, The Melbourne Recorder Orchestra

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Embodied Energy

undefined Adams, R BANDT, undefined Bertram, undefined Cerretti, undefined Connelly-Northey, undefined Edwards, undefined Gunn, undefined Kato, undefined Ryan, undefined Taylor, undefined Thorpe, undefined West, undefined White

Creative Published Work  |  2008

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Taketoya

R BANDT

Live Performance of Creative Work  |  2008

Taketoya, or a night of 8000 bamboo lights, is a "slow night" when people enjoy strolling the central Wakayama city led by the 800..

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Tragoudia for tarhu and tape, I Habiouli, II Feed Time

R BANDT

Audio Visual Recording  |  2008

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Hearing Culture: Hanja - Audible Moments from a Complicated Acoustic Palimpsest

R BANDT

Book Chapter  |  2007

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Introduction to Hearing Places: Sound, Place, Time and Culture

Ros Bandt, Michelle Elizabeth Duffy, Dolly MacKinnon

Book Chapter  |  2007

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Sonic Inscriptions: Sound Installations and Acoustic Art in Australia

R BANDT

Book Chapter  |  2007

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Magpie

R BANDT

Live Performance of Creative Work  |  2007

Magpie, January 2007

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Sound Installation: Blurring the Boundaries of the Eye, the Ear, Space and Time, Musical Hybrids-Sonic InterMedia in Australia

R BANDT

Journal article  |  2006  |  Contemporary Music Review

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John Haines: Eight Centuries of troubadours and Trouveres: the Changing Identity of medieval Music, (musical performance and reception).

R BANDT

Journal article  |  2006  |  Speculum

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Monodies

JA GRIFFITHS, R WILKINSON, RE BANDT, H NEWNHAM

Creative Published Work  |  2005

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On the Wings of a Butterfly

R BANDT, undefined Hung

Audio Visual Recording  |  2005

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From the Venetian Mansion

RE Bandt

Creative Published Work  |  2005

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Designing Sound in Public Spaces in Australia

RE BANDT

Journal article  |  2005  |  Organised Sound

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Tragoudia 1 and 2

RE Bandt

Creative Published Work  |  2005

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Sound Art and Design in Australia

RE BANDT

Journal article  |  2004  |  Filter

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Sounding Public Space, Sound Artists in the Public Domain

RE BANDT

Conference Proceedings  |  2004  |  ICAD, 10th Meeting of the International Conference on Auditory Display

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On the Wings of a Butterfly

RE BANDT

Creative Published Work  |  2004

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Sound Arts Reconsidered

RE BANDT

Journal article  |  2004  |  Sounds Australian

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Taming the wind

RE BANDT

Conference Proceedings  |  2003  |  Acoustic ecology

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Taming the wind: aeolian sound practices in Australiasia

RE BANDT

Journal article  |  2003  |  Organised Sound

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Liquid architecture 4

RE BANDT

Creative Published Work  |  2003

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Sonic archaeologies

RE BANDT

Creative Published Work  |  2003

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Documenting the difficult and ephemeral: a web approach to the documentation of interactive electroacoustic sound designs in Australia

RE BANDT

Conference Proceedings  |  2003  |  Resonance

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Move 35

RE BANDT

Creative Published Work  |  2003

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Hearing place

RE BANDT, ID MOTT

Creative Published Work  |  2003

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Scent of Time

RE BANDT, KH DANG

Creative Published Work  |  2002

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Kim's Song

RE BANDT

Creative Published Work  |  2002

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Spatial Counterpoints as a Design Principle in the Austrralia Gallery, the Melbourne Museum

RE BANDT

Conference Proceedings  |  2002  |  Form, Space, Time: Music, Architecture and Design

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Sounding Remoteness, Flinders Island

RE BANDT

Journal article  |  2002  |  Soundscape: The Journal of Acoustic Ecology

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Soundscape: Hearing the Land

RE BANDT

Book Chapter  |  2002

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Via Galah: Silo Stories from Merrinee to Jackson

RE BANDT

Creative Published Work  |  2002

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Sound Sculpture

RE BANDT

Book  |  2001

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Stack

RE BANDT

Creative Published Work  |  2001

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Ricercata Terza

R BANDT

Live Performance of Creative Work

Sounding Spaces: From Venice to Sugashima and Back, The Melbourne Recorder Orchestra

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Scholarly Works

Keyword Analysis

Arts and Leisure
Performing Arts and Creative Writing
Performing Arts
Design Studies
Historical Studies
Other Environmental Aspects
Community Service (excl. Work)
Cultural Studies
Understanding Past Societies
Heritage

Honours, Awards and Fellowships

2018

Animart guest artist 2017 Sonic metamorphoses
2013

Melbourne Prize Outstanding Musician Finalist
2013

N.F.S.A Australian Sound Archive Registry of Australian Sound
2013

Fellowship Australia Council Hearing jaaraJaara digital acoustic sanctuary
2012

Cochrane -Smith Award for Sound Heritage

Fanny Cochrane Smith Award for Sound Heritage: National Film and Sound Archive
2009

History of the University Unit Re-hearing the theremon Untitled J.S. Ostoja Kotkowski
2008

History of the University Unit, Percy Grainger
2006

Excellence for Research Award, University of Melbourne Arts Faculty
2000

ARC large Grant ASDP sound design online gallery and data base of Australian sound designs in public Space
1993

Inaugural Benjamin Cohen Fellowship for peace and innovation Ball State University USA
1992

ARC 5 year Fellowship Australian sound sculpture
1991

many other international art commissions

Sound Art Australia Prize, Mungo :WDR Germany and ABC
1990

Don Banks Composers Award :Australia Council
2013

Australia Council Project Fellowship

14

Awards

Credentials

Positions

Member

Australian Forum of Acoustic Ecology

Full Member

Australia Performing Rights Association

Education

Diploma of Education

Monash University

Doctor of Philosophy

Monash University