Rachel Orzech

Claiming Wagner for France Music and Politics in the Parisian Press, 1933-1944

Rachel Orzech

Book  |  2022

"This book examines the shifting attitudes toward Wagner reflected in the Parisian press during the period of the Third Reich.

Hearing Jewishness? The Parisian Reception of Halévy’s La Juive

Rachel Orzech

Book Chapter  |  2020

Confronting the National in the Musical Past

Journal article  |  2018

'Cantor of the enduring human heart' Wagner in the Parisian press, 1933

Rachel Orzech

Book Chapter  |  2018

In the last three decades a significant body of musicological research has been devoted to various aspects of Wagner’s reception i..

Tristan und Isolde in Occupied Paris, 1941: A Convenient Solution for France’s Wagner Problem?

Rachel Orzech

Book Chapter  |  2017

This edited volume presents a selected history of French music and culture, but one with a dynamic difference.

'A Universal Art, an Art for All'? The Reception of Richard Wagner in the Parisian Press, 1933–1944

R ORZECH

Thesis / Dissertation  |  2017

From the time that Wagner began to feature as a subject of interest in the French press, writers, critics, and journalists used th..

Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera

Rachel Orzech

Journal article  |  2015  |  Music and Politics

‘How to React in France Against Hitlerian Pseudo-Wagnerism’: The Reception of Richard Wagner in Paris, 1933

R ORZECH

Journal article  |  2015  |  Context: Journal of Music Research

'Constructions of Jewishness: The Reception of Halévy’s La Juive from Paris, 1835 to Tel Aviv, 2010'

R ORZECH

Thesis / Dissertation  |  2012

Politics, Identity, and the Sound of Jewishness: The Reception of Halevy's La Juive in New York, 2003

Rachel Orzech

Journal article  |  2011  |  MUSICOLOGY AUSTRALIA

Fromental Halevy's grand opera La Juive was one of the most successful operas of its time following its premiere at the Paris Oper..