Rachel Orzech

‘Cantor of the enduring human heart’: Wagner in the parisian press, 1933

R Orzech

Book Chapter  |  2018

In 1933, then, as Adolf Hitler came to power and promised to overturn the Treaty of Versailles and rebuild a strong and powerful G..

'A Universal Art, an Art for All'? The Reception of Richard Wagner in the Parisian Press, 1933–1944

R ORZECH

Thesis / Dissertation  |  2017

‘How to React in France Against Hitlerian Pseudo-Wagnerism’: The Reception of Richard Wagner in Paris, 1933

R ORZECH

Journal article  |  2015  |  Context: Journal of Music Research

'Constructions of Jewishness: The Reception of Halévy’s La Juive from Paris, 1835 to Tel Aviv, 2010'

R ORZECH

Thesis / Dissertation  |  2012

Politics, Identity, and the Sound of Jewishness: The Reception of Halévy's La Juive in New York, 2003

R ORZECH

Journal article  |  2011  |  Musicology Australia

Nabucco in Zion: Place, Metaphor and Nationalism in an Israeli Production of Verdi’s Opera

Rachel Orzech

Journal article  |  Music and Politics