Find out more about Anne Dunlop's experience

Anne Dunlop's highlights

FEATURED Book Chapter

Allegory, painted and poetic, and the fictions of Trecento art

Anne Dunlop's selected work

Eurasian Exchange And Artistic Transformation In Italy, C. 1250-1450

Research Grant

Foreign Bodies: Neighbours, Strangers, Monsters

Journal article

Rosa Maria Dessì, Les spectres du Bon Gouvernement d’Ambrogio Lorenzetti: Artistes, cités ..

Journal article

Madonna and Child with St John the Baptist

Reference Work

The Nomadic Object: The Challenge of World for Early Modern Religious Art

Journal article

Sites of Mediation: Connected Histories of Places, Processes, and Objects in Europe and Be..

Journal article

Projects

Displaying the most recent project by Anne Dunlop.

Eurasian Exchange And Artistic Transformation In Italy, C. 1250-1450

This project aims to bring European and Chinese art history into dialogue. It explores the early Italian Renaissance in the larger geopoliti..

2019 - 2022

Active

1

Projects

Project Types

Research Grant

Scholarly Works

Displaying the 48 most recent scholarly works by Anne Dunlop.

Allegory, painted and poetic, and the fictions of Trecento art

Anne Dunlop

Book Chapter | 2020

Die Literatur des Trecento ist reich an Künstleranekdoten, Erzählungen und Ekphrasen, in denen Kunstwerke eine wichtige Rolle spie..

Foreign Bodies: Neighbours, Strangers, Monsters

Anne Dunlop, Cordelia Warr

Journal article | 2019 | Bulletin of the John Rylands Library

This issue of the Bulletin of the John Rylands Library has its origins in a 2016–19 teaching and research collaboration, Connectin..

Rosa Maria Dessì, Les spectres du Bon Gouvernement d’Ambrogio Lorenzetti: Artistes, cités communales et seigneurs angevins au “Trecento”. Paris: Presses Universitaires de France, 2017. Paper. Pp. 442; many color plates and black-and-white figures. €29. ISBN: 978-2-13-063214-6

Anne Dunlop

Journal article | 2019 | Speculum: Journal of the Medieval Academy of America

Madonna and Child with St John the Baptist

Anne Dunlop

Reference Work | 2019

The Nomadic Object: The Challenge of World for Early Modern Religious Art

Anne Dunlop

Journal article | 2019 | Renaissance Quarterly

This collection of essays arose from an unexpected source: the opening of the Louvre Abu Dhabi museum. For Renaissance scholars, t..

Sites of Mediation: Connected Histories of Places, Processes, and Objects in Europe and Beyond, 1450-1650.

Anne Dunlop

Journal article | 2018 | Renaissance Quarterly

Antipodean Early Modern: European Art in Australian Collections, C. 1200-1600

Anne Dunlop

Book | 2018

The authors of these essays showcase these extraordinary objects to their full potential, revealing a wide range of contemporary a..

Artistic Contact between Italy and Mongol Eurasia: State of the Field

Anne Dunlop

Journal article | 2018 | Ewha Sahak Yeongu: Bulletin of the Ewha Institute of HIstory

Legacies of early European art in Australian collections

Anne Dunlop

Book Chapter | 2018

Myths of Love: Ovid and Transformation

A DUNLOP

Book Chapter | 2017

'Ornament and Vice: the Foreign, the Mobile, and the Cocharelli Fragments'

A DUNLOP

Book Chapter | 2016

Young Men with Arrows and the Bluffer Saint Sebastian

A DUNLOP

Book Chapter | 2016

Andrea del Castagno and the Limits of Painting

A Dunlop

Book | 2015

Allegory, Painted and Poetic, and the Fictions of Trecento Art

A DUNLOP

Journal article | 2015 | 美育学刊 Mei Yu Xue Kan (Journal of Aesthetic Education)

Introduction

A DUNLOP

Book Chapter | 2015

European Art and the Mongol Middle Ages: Two Exercises in Cultural Translation

A DUNLOP

Journal article | 2015 | 美育学刊 Mei Yu Xue Kan (Journal of Aesthetic Education)

The Matter of Art: Materials, Technologies, Cultural Logics, 1250-1650

A Dunlop, C Anderson, P Smith

Book | 2014

Early Modern Faces: European Portraits, c. 1480-1780

A Dunlop

Book | 2014

On the origins of European painting materials, real and imagined

A DUNLOP

Book Chapter | 2014

Early Modern Faces: European Portraits, c. 1480-1780

A Dunlop

Curated Exhibition, Event or Festival | 2014

Drawing blood

Anne Dunlop

Journal article | 2013 | RES: Journal of Anthropology and Aesthetics

On the Problem of Visions in Florentine Art

A DUNLOP

Book Chapter | 2013

The Villa I Tatti Series includes the proceedings of conferences and seminars held at the Harvard University Center for Italian Re..

Carrying the Weight of Empire

A DUNLOP

Book Chapter | 2013

Parading David

Anne Dunlop

Journal article | 2012 | Art History

The look of love

A Dunlop

Book Chapter | 2012

Details, Details

Anne Dunlop

Journal article | 2011 | Art History

Philippe Morel. Mélissa: magie, astres et démons dans l'art italien de la Renaissance. Paris: Hazan, 2008. 388 pp. illus. €39. ISBN: 978–2–7541–0184–4.

Anne Dunlop

Journal article | 2011 | Renaissance Quarterly

Materials, Origins, and the Nature of Early Italian Painting

A DUNLOP

Book Chapter | 2009

Italy, Charles IV, and Court Art

A DUNLOP

Book Chapter | 2009

Looking the Part: Portraits and Performance

A DUNLOP

Book Chapter | 2009

Allegory, painting and petrarch

A Dunlop

Journal article | 2008 | Word and Image

Allegory, painting and petrarch

A Dunlop

Journal article | 2008 | Word & Image

Introduction: Mendicant Orders, the Augustinians, and Early Renaissance Art

A DUNLOP

Book Chapter | 2007

Black Humour: the Cappellone at Tolentino

A DUNLOP

Book Chapter | 2007

The Dominicans and Cloistered Women: The Convent of Sant’Aurea in Rome

A DUNLOP

Journal article | 2007 | Early Modern Women: An Interdisciplinary Journal 3

Gli affreschi del Cappellone di San Nicola: un modello mancato?

A DUNLOP

Book Chapter | 2005

Il Palazzo Trinci di Foligno

A DUNLOP

Journal article | 2003 | Burlington Magazine

Pinturicchio and the pilgrims: Devotion and the past at santa maria del popolo

A Dunlop

Journal article | 2003 | Papers of the British School at Rome

PINTURICCHIO E I PELLEGRINI: LA DEVOZIONE E IL PASSATO A SANTA MARIA DEL POPOLOQuesto studio esamina le cappelle dei Cardinali Dom..

Flesh and the feminine: Early-renaissance images of the Madonna with Eve at her feet

A Dunlop

Journal article | 2002 | Oxford Art Journal

Diana Norman’s Siena and the Virgin

A DUNLOP

Journal article | 2001 | Art History: journal of the Association of Art Historians

Masculinity, Crusading, and Devotion: Francesco Casali’s Fresco in the Trecento Perugian Contado

A DUNLOP

Journal article | 2001 | Speculum: Journal of the Medieval Academy of America

Santa Maria del Popolo: Promoting the cult of the Madonna in central Italy, c. 1300-1500

A Dunlop

Journal article | 2000 | Papers of the British School at Rome

Once more on the patronage of Ambrogio Lorenzetti’s Frescoes at S. Galgano, Montesiepi

A DUNLOP

Journal article | 2000 | Zeitschrift für Kunstgeschichte

A Christian Romance: the Frescoes of S. Galgano at Montesiepi

A DUNLOP

Book Chapter | 1999

Did the Renaissance have a Renaissance?

Anne Dunlop

Journal article | 1998 | Art History

Women in Italian Renaissance Art

A DUNLOP

Journal article | 1998 | Renaissance Studies

”El vostro poeta:” The First Florentine Printing of Dante’s Commedia

A DUNLOP

Journal article | 1993 | RACAR

Painted Palaces: The Rise of Secular Art in Early Renaissance Italy

Book

48

Scholarly Works

Keyword Analysis

Art Theory and Criticism

Arts and Leisure

Expanding Knowledge

Understanding Past Societies

Anthropology

Communication and Media Studies

Cultural Studies

Credentials

Positions

Herald Chair In Fine Arts

Culture And Communication

Education

DOCTOR OF PHILOSOPHY

University of Warwick

MASTERS OF ARTS

The University of British Columbia

BACHELOR OF ARTS (HONOURS)

Queen's University at Kingston

Licence ès lettres

Universite Lumiere (Lyon II)

Prof

Anne Dunlop

Herald Chair In Fine Arts

Culture And Communication

Prof

Anne Dunlop

Enquiries

Contact Anne

Division

Arts

Prof

Anne Dunlop

Enquiries

Contact

Find out more about Anne Dunlop's experience

Anne Dunlop's highlights

FEATURED Book Chapter

Allegory, painted and poetic, and the fictions of Trecento art

Anne Dunlop's selected work

Research Grant

Journal article

Journal article

Reference Work

Journal article

Journal article

Projects

Eurasian Exchange And Artistic Transformation In Italy, C. 1250-1450

1

Projects

Project Types

Scholarly Works

Allegory, painted and poetic, and the fictions of Trecento art

Foreign Bodies: Neighbours, Strangers, Monsters

Rosa Maria Dessì, Les spectres du Bon Gouvernement d’Ambrogio Lorenzetti: Artistes, cités communales et seigneurs angevins au “Trecento”. Paris: Presses Universitaires de France, 2017. Paper. Pp. 442; many color plates and black-and-white figures. €29. ISBN: 978-2-13-063214-6

Madonna and Child with St John the Baptist

The Nomadic Object: The Challenge of World for Early Modern Religious Art

Sites of Mediation: Connected Histories of Places, Processes, and Objects in Europe and Beyond, 1450-1650.

Antipodean Early Modern: European Art in Australian Collections, C. 1200-1600

Artistic Contact between Italy and Mongol Eurasia: State of the Field

Legacies of early European art in Australian collections

Myths of Love: Ovid and Transformation

'Ornament and Vice: the Foreign, the Mobile, and the Cocharelli Fragments'

Young Men with Arrows and the Bluffer Saint Sebastian

Andrea del Castagno and the Limits of Painting

Allegory, Painted and Poetic, and the Fictions of Trecento Art

Introduction

European Art and the Mongol Middle Ages: Two Exercises in Cultural Translation

The Matter of Art: Materials, Technologies, Cultural Logics, 1250-1650

Early Modern Faces: European Portraits, c. 1480-1780

On the origins of European painting materials, real and imagined

Early Modern Faces: European Portraits, c. 1480-1780

Drawing blood

On the Problem of Visions in Florentine Art

Carrying the Weight of Empire

Parading David

The look of love

Details, Details

Philippe Morel. Mélissa: magie, astres et démons dans l'art italien de la Renaissance. Paris: Hazan, 2008. 388 pp. illus. €39. ISBN: 978–2–7541–0184–4.

Materials, Origins, and the Nature of Early Italian Painting

Italy, Charles IV, and Court Art

Looking the Part: Portraits and Performance

Allegory, painting and petrarch

Allegory, painting and petrarch

Introduction: Mendicant Orders, the Augustinians, and Early Renaissance Art

Black Humour: the Cappellone at Tolentino

The Dominicans and Cloistered Women: The Convent of Sant’Aurea in Rome

Gli affreschi del Cappellone di San Nicola: un modello mancato?

Il Palazzo Trinci di Foligno

Pinturicchio and the pilgrims: Devotion and the past at santa maria del popolo

Flesh and the feminine: Early-renaissance images of the Madonna with Eve at her feet

Diana Norman’s Siena and the Virgin

Masculinity, Crusading, and Devotion: Francesco Casali’s Fresco in the Trecento Perugian Contado

Santa Maria del Popolo: Promoting the cult of the Madonna in central Italy, c. 1300-1500

Once more on the patronage of Ambrogio Lorenzetti’s Frescoes at S. Galgano, Montesiepi

A Christian Romance: the Frescoes of S. Galgano at Montesiepi

Did the Renaissance have a Renaissance?

Women in Italian Renaissance Art

”El vostro poeta:” The First Florentine Printing of Dante’s Commedia

Painted Palaces: The Rise of Secular Art in Early Renaissance Italy

48