Sarah Woodland

The Art of Listening in Prison: Creating audio drama with incarcerated women

Sarah Woodland

Book Chapter  |  2021

These volumes offer insights from within and beyond the sphere of English-speaking scholarship, curated by regional experts in app..

Weaving our Narratives: Amplifying the Social Echo of Restorative Justice through the Arts

Brenda Morrison, Sarah Woodland, Vicki Saunders, Leah Barclay, Bianca Beetson

Book Chapter  |  2020

The achilleas heel of restorative justice rests on a dominant narrative: “What’s said in Circle, stays in Circle”. While there is ..

Performances of Healing and Reconciliation

R Aslan, Chris Gylee, Rand Hazou, Joseph Morgan Schofield, Sarah Woodland, Joshua Edelman

Journal article  |  2020  |  Performance, Religion and Spirituality

‘Daughters of the Floating Brothel’: Engaging Indigenous Australian women in prison through participatory radio drama

Sarah Woodland

Book Chapter  |  2020

Applied Theatre: Women and the Criminal Justice System offers unprecedented access to international theatre and performance practi..

Desert Stages: The Place of Theatre in the Barkly Region's Creative Ecology

Sarah Woodland, Brydie-Leigh Bartleet

Journal article  |  2020  |  Australasian Drama Studies

While their geographical, cultural and social diversity means that Australia's very remote regions certainly cannot be described i..

'This Place is Full of Drama Queens': Reflecting on the Value of Drama in a Women's Prison

S Woodland

Book Chapter  |  2019

Listening to Country: Exploring the value of acoustic ecology with Aboriginal and Torres Strait Islander women in prison

S Woodland, V Saunders, B Beetson, L Barclay

Journal article  |  2019  |  Soundscape: The Journal of Acoustic Ecology

Listening to Country is an arts-led research project exploring the value of acoustic ecology in promoting cultural connection, mai..

Aesthetics of Truth-Telling: Intercultural Applied Theatre Praxis in an Australian Women's Prison

S Woodland

Journal article  |  2019  |  ArtsPraxis

Our Ancestors, Our History, Our Lost Culture was a devised theatre performance that I developed with women inside Brisbane Women’s..

Creative Barkly: Sustaining the Arts and Creative Sector in Remote Australia

B Bartleet, N Sunderland, S O'Sullivan, S Woodland

Report  |  2019

Creative Barkly was a three-year Australia Research Council (ARC) Linkage project that examined the arts and creativity across the..

'I Love You I Love You': Aesthetics of love in a culturally diverse youth theatre ensemble

S Woodland

Journal article  |  2018  |  Youth Theatre Journal

Although love is rarely addressed in applied theatre and drama scholarship, it is nevertheless often present in participatory thea..