Kialea-Nadine Williams brings 20 years of professional performance knowledge to her teaching practice. Training at London's prestigious conservatoire Rambert School of Ballet and Contemporary Dance before joining as Phoenix Dance Theatre a repertoire dance company working with a vast variety of choreographers. She then worked with the acclaimed Michael Clark Company performing the work I do in the Stravinsky Project before flying to Australia to join Australian Dance Theatre (ADT) in 2008 under the direction of Garry Stewart. During her time with ADT (2008 2012) Kialea-Nadine was an original cast member of Stewart's G', Be Yourself' Worldhood' Proximity' and performed excerpts of previous Stewart works. Since 2012 Kialea-Nadine has been working as an independent dancer, creator, actor, puppeteer and educator, fulfilling mentoring and rehearsal director roles with artists and company's including Rehearsal Director for Tasdance's Luminous Flux 2013, Madame: A Story of Joseph Farrugia: Torque Show (Actor & Dancer), Reassessment & A Dying Swan: Daniel Jaber, Mortal Condition: Larissa McGowan, Beep: Windmill Theatre Company (Actor & Puppeteer), The Spinners: Lina Limosani Projekts, Returning to Australian Dance Theatre in 2017 & 2018 for the work Beginning of Nature & Hibernation: an original play by Finnegan Kruckemeyer, directed by Mitchell Butel performed with the State Theatre Company South Australia (Actor), Dancehouse: Now Pieces #7 curated by Amaara Raheem.

As an educator Kialea-Nadine previously worked at Adelaide College of the Arts for five years as a contemporary dance, classical ballet, acrobatic tumbling teacher, choreographer, and rehearsal director in the BA Creative Arts (Dance) course. In January 2022 Kialea-Nadine became the Tutor in Dance at the University of Melbourne Faculty of Fine Arts & Music, in the Bachelor of Fine Arts program.

Kialea-Nadine Williams was the recipient of the 2007 Best Female Dancer UK, Critics Circle Award for the performance of the acclaimed work Harmonica Breakdown' choreographed by Jane Dudley in 1938.

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