A/Prof Anna Cordingley
Associate Professor in Design & Production
Victorian College of the Arts
50 Scholarly works
2 Projects
HIGHLIGHTS
2025
Original Creative Work
Cordingley, A. (2024). [Set Design] Much Ado About Nothing. By William Shakespeare. Directed by Mark Wilson. Melbourne Theatre Company, Melbourne, 2025.
DOI: 10.26188/318566142025
Original Creative Work
Cordingley, A. (2025). [Costume Design] Idomeneo. By Wolfgang Amadeus Mozart and Giambattista Varesco. Directed by Lindy Hume. San Francisco Opera, San Francisco, 2025.
DOI: 10.26188/318566202024
Original Creative Work
Cordingley, A. (2024). [Set & Costume Design] Multiple Bad Things. By Back to Back Ensemble. Directed by Tamara Searle and Ingrid Voorendt. Back to Back Theatre, Geelong, Brussels, Melbourne, 2024.
DOI: 10.26188/258947442024
Original Creative Work
Cordingley, A. (2024). [Costume Design] The Magic Flute. By Wolfgang Amadeus Mozart and Emanuel Schikaneder. Directed by Kate Gaul. Opera Australia, Sydney, 2024.
DOI: 10.26188/259095972024
Original Creative Work
Cordingley, A. (2024). [Costume Design] Idomeneo. By Wolfgang Amadeus Mozart and Giambattista Varesco. Directed by Lindy Hume. Opera Australia, Melbourne, 2024.
DOI: 10.26188/260866032022
Research Grant
AirDancer: Gestural Control Over Music, Text and Visuals Through Movement and Dance
2022
Research Grant
The Rhythm of My Body Shapes - A Multimedia Electronic Music Production
RECENT SCHOLARLY WORKS
2023
Original Creative Work
[Immersive Environment Design] Hour of the Wolf. By Matthew Lutton and Keziah Warner. Directed by Matt Lutton. Malthouse Theatre, Melbourne, 2023.
DOI: 10.26188/259096392023
Original Creative Work
Cordingley, A. (2023). [Costume Design] Idomeneo. By Wolfgang Amadeus Mozart and Giambattista Varesco. Directed by Lindy Hume. Victorian Opera, Melbourne, 2023.
DOI: 10.26188/259096362023
Original Creative Work
Cordingley, A. (2022). [Co-Set and Costume Design] Holding Achilles. By David Morton. Directed by David Morton and Joshua Thomas. Dead Puppets Society and Legs on the Wall, Brisbane and Sydney, 2022.
DOI: 10.26188/260547342022
Original Creative Work
Costume Design (under Direction by Romance Was Born) for Amadeus by Peter Shaffer, Sydney Opera House, Sydney – Directed by Craig Ilot (2023)
2022
Journal article
Rapture: A Study in Pathos and Scenography