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Contact


Email

stanyonm@unimelb.edu.au

Credentials


Position
Senior Lecturer, English Literary Studies
School of Culture and Communication
Education
Doctorate
Queen Mary, University of London
Doctorate
University of London
Masters
University of Melbourne
Bachelors Degree (Honours)
University of Melbourne
ORCID

0000-0001-9856-5082

Dr Miranda Stanyon

Senior Lecturer, English Literary Studies
School of Culture and Communication

23 Scholarly works
2 Projects

HIGHLIGHTS

  • 2023

    Internal Research Grant

    Sound, Musical Cultures, and the Invention of the Human
  • 2021

    Book Chapter

    Music and Romantic Literature
    DOI: 10.1017/9781108647342.005
  • 2021

    Book

    Resounding the Sublime Music in English and German Literature and Aesthetic Theory, 1670-1850
  • 2020

    Journal article

    Organ pipes and bodies with organs: Listening to De Quincey's First Opium War essays
    DOI: 10.1177/0306197320907461
  • 2020

    Research grants (other domestic)

    War-Widow, Mother, Slave, Refugee: Andromache in Romantic Europe
  • 2019

    Journal article

    MUSICALISING HISTORY
    DOI: 10.1017/s0080440119000045
  • 2019

    Journal article

    The passion of Edmund Burke: “to Dr h——n” revisited
    DOI: 10.1353/hlq.2019.0014
Miranda Stanyon

RECENT SCHOLARLY WORKS

  • 2026

    Journal article

    The Hollow Sea: Soundings in Eighteenth-Century Marine Poetics
    DOI: 10.1215/00982601-12206991
  • 2025

    Journal article

    Andromache Among the Ambassadors: Ambrose Philips’s The Distrest Mother (1712)
    DOI: 10.1093/res/hgaf008
  • 2025

    Live Performance of Creative Work

    Time Stands Still
  • 2024

    Book Chapter

    Sound Agonistes: Music and the Economy of Sacrifice in Sound Studies
    DOI: 10.1515/9781399502313-008
  • 2023

    Book Chapter

    The Cambridge Companion to the Romantic Sublime
    DOI: 10.1017/9781009026963
  • 2021

    Journal article

    Second Nature and the Sonic Sublime
    DOI: 10.1215/00982601-9273041
  • 2020

    Book

    Music and the Sonorous Sublime in European Culture, 1680–1880
    DOI: 10.1017/9781108761253
  • 2020

    Book Chapter

    Counterfeits, Contraltos and Harmony in De Quincey’s Sublime
    DOI: 10.1017/9781108761253.008

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