The twentieth century in paint

Grant number: LP0883309 | Funding period: 2009 - 2013

Completed

Abstract

The art market is a major contributor to the Australian economy worth over $500M per annum. However many modern works created with new materials introduced in the 20th century in Australia and Southeast Asia exhibit problems with deterioration, and there is little research on the use and effects of these materials. Without answers to material based preservation questions collectors, curators and conservators cannot make informed decisions. This project, with partners in Australia, Asia, US and UK will provide fundamental information to assist in formulating management strategies, inform curatorship and develop innovative approaches to conservation and the manufacture of art materials.

Related publications (13)

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Decision making, materiality and digitisation: Esteban Villanueva’s Basi Revolt Paintings of Ilocos

N Tse, M Soriano, AM Labrador, RA Balarbar

2018-01-02

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Artists’ interviews and their use in conservation: reflections on issues and practices

S Cotte, N TSE, A Inglis

2016-12-21

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Considering evidence in Art Fraud

R SLOGGETT

2016-01-01

Securing the evidential link between the work and the artist who is purported to have produced it requires a rigorous analytical a..

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Interviewing artists exhibited in The Field (1968): The use of acrylic paints in a seminal exhibition of Australian colour field painting

Raymonda Rajkowski, Nicole Andrea Tse, Beckett Rozentals

2016-01-01

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The potential role of citizen conservation in re-shaping approaches to murals in an urban context

Caroline Kyi, Nicole Tse, Sandra Khazam

2016-01-01

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Material availability and painting practice: a case study of Singapore artist Georgette Chen

N TSE, E O'Donnell, A Ahmad

2015-12-30

Pioneer artist Georgette Chen (1906-1993) is recognised as an influential figure in the early development of modern art in Singapo..

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Hans Heysen’s art materials: an investigation into suppliers, knowledge and choice

NA TSE, R Heysen

2014-11-12

The Cedars, belonging to the estate of the renowned Australian landscape painter Hans Heysen (1877–1968), in the Adelaide Foothill..

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Artist oil paints in Thailand

NA TSE, S Chayabutra, K Kamolchote, S Panmanee, T Khlungwisarn, L Puskar, SP Best

2014-09-14

The deterioration of artist paints and paintings in Thailand’s tropical climate is unique. This paper outlines the research and pr..

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Authentication in a legal framework: Methodologies that underscore art authentication in practice

A Morden, R Sloggett, NA TSE

2014-09-14

The ideal of art authentication in practice stems not solely from a need to protect market interests, but from a need to protect t..

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In-situ, non-invasive investigation of an outdoor wooden sculpture

NA TSE, G Brodie, P Farrell, A Roberts, J KVANSAKUL, E Harris

2014-09-14

This paper reports on the development of a radio- frequency sensor unit for the non-invasive monitoring of Bruce Armstrong’s outdo..

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Arthur Boyd’s painting materials in the 1940s: a case study of works from the Heide Museum of Modern Art Collection

NA TSE, null Kowalski, V

2014-06-01

Recent conservation treatment of Arthur Boyd’s paintings from the Heide Museum of Modern Art collection has raised questions about..

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Film formation of artists' acrylic paints in tropical climates using dynamic speckle interferometry

NA Tse, E MILES, A Roberts

2013-01-01

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The Conservation of Material Culture in Tropical Climates: the 3rd APTCCARN Meeting in 2012

NA Tse

2012-01-01