ARC CENTRE OF EXCELLENCE FOR THE HISTORY OF EMOTIONS

“Passion, Lament, Glory”: Baroque Music and Modern Social Justice Resonances

Jane W Davidson

<jats:p>Baroque religious music was composed and performed to stimulate devotion as well as the inspire passion through the theatr..

Book Review: Mary C. Flannery, ed. Emotion and Medieval Textual Media

Stephanie Trigg

2020-09-14

Peace, Empathy and Conciliation through Music

Samantha Dieckmann, Jane W Davidson

2019-12-01

A Cultural History of the Emotions in the Modern and Post-Modern Age (1920-2000 ): Volume 6

2019-01-01

A Cultural history of the Emotions explores how emotions have changed over the course of human history, as well as how emotions ha..

A Cultural History of the Emotions, Volumes 1-6

Jane Davidson, Susan Broomhall, Andrew Lynch

2019-01-01

Across six volumes, A Cultural History of the Emotions explores how emotions have changed over the course of human history, but al..

Affective Medievalism: Love, Abjection and Discontent

Thomas Prendergast, Stephanie Trigg

2019-01-01

This book destabilises the customary disciplinary and epistemological oppositions between medieval studies and modern medievalism...

Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon

Joseph Browning, Jane W Davidson

2019-01-01

How do practitioners understand the relationship between performance, history and emotion in Western art music? Based on an ethnog..

From the Modern to the Digital World: New Order, New Emotions

Joy Damousi, JW Davidson

2019-01-01

Across six volumes, A Cultural History of the Emotions explores how emotions have changed over the course of human history, but al..

Music, Nostalgia and Memory: Historical and Psychological Perspectives

Sandra Garrido, Jane W Davidson

2019-01-01

How are our personal soundtracks of life devised? What makes some pieces of music more meaningful to us than others? This book exp..

Wolfgang Horn and Zelenka

Frederic Kiernan

2019-01-01

This paper uses the late Wolfgang Horn’s own reflections about his relationship with the music of Jan Dismas Zelenka as a lens thr..

Afterword: Reading Historical Emotions

S Trigg

2018-01-01

This book analyzes how acts of feeling at a discursive, somatic, and rhetorical level were theorized and practiced in multiple med..

Dialogue des Carmélites

J Davidson

2018-01-01

Gloria

J Davidson

2018-01-01

"A good hater”: Writing about the Emotions with George Eliot and A. S. Byatt

S Trigg

2017-03-01

This essay takes as its starting point a reflection of a character in A.S. Byatt’s Still Life: ‘George Eliot, Stephanie thought, w..

Francesco Colonna (attributed to) The Strife of Love in a Dream of Poliphilo (Hypnerotomachia Poliphili: ubi humana omnia non nisi somnium esse docet), published by Aldus Manutius, Venice, 1499

C KOVESI

2017-03-01

Performance Identity

Jane W Davidson

2017-02-23

This chapter focuses on the topic of music performer identity, exploring three contemporary categories of performer: famous solois..

Facing Up to the History of Emotions

S Downes, S Trigg

2017-02-01

This special issue of postmedieval brings together several strands of medieval and medievalist work in the history of emotions, wi..

Affect Theory

S TRIGG

2017-01-01

Bluestone and the City: Writing an Emotional History

S TRIGG

2017-01-01

Facing Up to the History of Emotion. Special issue of Post-medieval: Medieval Cultural Studies

2017-01-01

Introducing a Psycho-Historical Approach to the Study of Emotions in Music: The Case of Monteverdi's 'Il Combattimento di Tancredi e Clorinda'

F Kiernan, J Davidson, S Garrido

2017-01-01

This essay addresses the challenges of reaching a historically informed understanding of the emotional experience of seventeenth-c..

Learning to perform: From 'gifts' and 'talents' to skills and creative engagement

J Davidson, G McPherson

2017-01-01

To perform any skilled activity to expert level requires committed and intensely motivated learning. This chapter explores how mus..

Passion, Lament, Glory

J Davidson

2017-01-01

The Biennial Chaucer Lecture: Chaucer's Silent Discourse

S Trigg

2017-01-01

This essay examines the trope of the "speaking face" in the poetry of Geoffrey Chaucer. This trope draws on the familiar idea that..

The Tale of Orpheus by Claudio Monteverdi

J Davidson

2017-01-01

Psychological approaches

J DAVIDSON, S Garrido

2016-11-14

The volume is divided into four sections that guide students through the key processes and practices employed in current research ..

Samuel Pepys and the Great Fire of London: Trauma and Emotion, Private and Public

S TRIGG

2016-11-01

Baroque music

J DAVIDSON, A Maddox

2016-01-01

The volume is divided into four sections that guide students through the key processes and practices employed in current research ..

Gestures

J DAVIDSON, A Maddox

2016-01-01

The volume is divided into four sections that guide students through the key processes and practices employed in current research ..

La descente d'Orphée aux enfers, by Charpentier

J Davidson

2016-01-01

Magna Carta in Print and in English Translation

S TRIGG

2016-01-01

Music

J DAVIDSON, A Maddox

2016-01-01

The volume is divided into four sections that guide students through the key processes and practices employed in current research ..

Novel Medievalisms

B Holsinger, S TRIGG

2016-01-01

Faces that Speak: A Little Emotion Machine in the Novels of Jane Austen

S TRIGG

2015-03-17

This collection studies the function of emotions in group formations in Britain during a period that has attracted widespread scho..

Delicious, Tender Chaucer: Coleridge, Emotion and Affect

Stephanie Trigg

2014-01-01

Pre-modern Emotions. Special issue of Post-medieval: A Journal of Medieval Cultural Studies

2014-01-01