Grant number: CE1101011 | Funding period: 2011 - 2018
Completed
Stephanie Trigg
2020-09-14
Samantha Dieckmann, Jane W Davidson
2019-12-01
Sandra Garrido, Jane W Davidson
2019-03-19
How are our personal soundtracks of life devised? What makes some pieces of music more meaningful to us than others? This book exp..
2019-01-01
A Cultural history of the Emotions explores how emotions have changed over the course of human history, as well as how emotions ha..
Jane Davidson, Susan Broomhall, Andrew Lynch
Across six volumes, A Cultural History of the Emotions explores how emotions have changed over the course of human history, but al..
Thomas Prendergast, Stephanie Trigg
This book destabilises the customary disciplinary and epistemological oppositions between medieval studies and modern medievalism...
Joseph Browning, Jane W Davidson
How do practitioners understand the relationship between performance, history and emotion in Western art music? Based on an ethnog..
Joy Damousi, JW Davidson
Frederic Kiernan
This paper uses the late Wolfgang Horn’s own reflections about his relationship with the music of Jan Dismas Zelenka as a lens thr..
S Trigg
2018-01-01
This book analyzes how acts of feeling at a discursive, somatic, and rhetorical level were theorized and practiced in multiple med..
J Davidson
J Davidson, G McPherson
2017-12-21
To perform any skilled activity to expert level requires committed and intensely motivated learning. This chapter explores how mus..
Jane W Davidson
2017-11-01
<jats:p>Baroque religious music was composed and performed to stimulate devotion as well as the inspire passion through the theatr..
2017-03-01
This essay takes as its starting point a reflection of a character in A.S. Byatt’s Still Life: ‘George Eliot, Stephanie thought, w..
C KOVESI
F Kiernan, J Davidson, S Garrido
This essay addresses the challenges of reaching a historically informed understanding of the emotional experience of seventeenth-c..
2017-02-23
This chapter focuses on the topic of music performer identity, exploring three contemporary categories of performer: famous solois..
S Downes, S Trigg
2017-02-01
This special issue of postmedieval brings together several strands of medieval and medievalist work in the history of emotions, wi..
S TRIGG
2017-01-01
This essay examines the trope of the "speaking face" in the poetry of Geoffrey Chaucer. This trope draws on the familiar idea that..
J DAVIDSON, S Garrido
2016-11-14
The volume is divided into four sections that guide students through the key processes and practices employed in current research ..
2016-11-01
B Holsinger, S TRIGG
2016-06-01
J DAVIDSON, A Maddox
2016-01-01
2015-03-17
This collection studies the function of emotions in group formations in Britain during a period that has attracted widespread scho..
2014-01-01