Grant number: CE1101011 | Funding period: 2011 - 2018
Frederic Kiernan, Amanda E Krause, Jane W Davidson
This study investigated whether reading biographical information about the composer Jan Dismas Zelenka (1679–1745) before listenin..
Jane W Davidson, Stephanie Rocke
This chapter adopts a four-part structure: first, it highlights the emotions explored in the opera Dido and Aeneas; second, it con..
This article draws on recent developments in the history of emotion and the sociology of creativity to argue that emotions themsel..
Thomas Prendergast, Stephanie Trigg
This book destabilises the customary disciplinary and epistemological oppositions between medieval studies and modern medievalism...
This book analyzes how acts of feeling at a discursive, somatic, and rhetorical level were theorized and practiced in multiple med..
This essay takes as its starting point a reflection of a character in A.S. Byatt’s Still Life: ‘George Eliot, Stephanie thought, w..
S Downes, S Trigg
This special issue of postmedieval brings together several strands of medieval and medievalist work in the history of emotions, wi..
This essay examines the trope of the "speaking face" in the poetry of Geoffrey Chaucer. This trope draws on the familiar idea that..
This collection studies the function of emotions in group formations in Britain during a period that has attracted widespread scho..