Grant number: CE1101011 | Funding period: 2011 - 2018
Completed
Frederic Kiernan, Amanda E Krause, Jane W Davidson
2021-03-04
This study investigated whether reading biographical information about the composer Jan Dismas Zelenka (1679–1745) before listenin..
Jane W Davidson, Stephanie Rocke
2021-01-01
This chapter adopts a four-part structure: first, it highlights the emotions explored in the opera Dido and Aeneas; second, it con..
Stephanie Trigg
2020-09-14
Frederic Kiernan
2020-01-01
This article draws on recent developments in the history of emotion and the sociology of creativity to argue that emotions themsel..
Thomas Prendergast, Stephanie Trigg
2019-01-01
This book destabilises the customary disciplinary and epistemological oppositions between medieval studies and modern medievalism...
S Trigg
2018-01-01
This book analyzes how acts of feeling at a discursive, somatic, and rhetorical level were theorized and practiced in multiple med..
2017-03-01
This essay takes as its starting point a reflection of a character in A.S. Byatt’s Still Life: ‘George Eliot, Stephanie thought, w..
S Downes, S Trigg
2017-02-01
This special issue of postmedieval brings together several strands of medieval and medievalist work in the history of emotions, wi..
S TRIGG
2017-01-01
This essay examines the trope of the "speaking face" in the poetry of Geoffrey Chaucer. This trope draws on the familiar idea that..
2016-11-01
2016-01-01
2015-03-17
This collection studies the function of emotions in group formations in Britain during a period that has attracted widespread scho..
2014-01-01