Book Chapter

Institutionalizing Authenticity in the Digitized World of Music

N Askin, J MOL

Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics | Research in the Sociology of Organizations | Emerald Publishing | Published : 2018

Abstract

Since the arrival of mass production, commodification has been plaguing markets – none more so than that for music. By separating production and consumption in space and time, commodification challenges the very conditions underlying economic exchange. This chapter explores authenticity as the institutional response to the commodification of music, rekindling the relationship between isolated market participants in the increasingly digitized world of music. Building upon the “Production of Culture” perspective, we unpack the commodification of music across five different institutional realms – (1) production, (2) consumption, (3) selection, (4) appropriation, and (5) classification – and pro..

View full abstract

University of Melbourne Researchers