Journal article

Camera, Colony, Künstlerroman: Photography in Three Australian Novels

L Van, A Maxwell

Journal of Australian Studies | Routledge | Published : 2018

Abstract

This article traces the practices of photography that have been portrayed in three Australian artists’ novels: Patrick White’s The Vivisector, David Malouf’s Harland’s Half Acre, and Gail Jones’s Sixty Lights. Photography’s shifting status in relation to art, modes of knowledge, modes of production, and methods of relating to space suggest a growing discomfort in the nation’s literary imagination towards colonial art’s mobilisation of the imagination to authorise “sacred” settler belonging.

University of Melbourne Researchers