Journal article

Maybellene: Meaning and the listening subject

S Cubitt

Popular Music | University of Cambridge Press | Published : 1984

Abstract

There appeared in the summer of 1982 a song written and performed by three German structuralists, a song characterised by the simplicity – to the point of banality – of its musical structure and instrumentation. Intended as a critical intervention in the production of ordinariness in popular music, ‘Da Da Da’ reached number one in the British charts, and Trio's appearance on the British TV show, Top of the Pops, was no more threatening than that of Captain Sensible or any other novelty act: welcome to the whacky world of deconstructive minimalism. Clearly the intended meanings of the song were not always the ones it evoked for the listener. Recordings have a way of taking on a life of their ..

View full abstract

University of Melbourne Researchers

Citation metrics