Journal article

Strindberg's Vampiric Narrators

S Balkin

Genre: forms of discourse and culture | Duke University Press | Published : 2013


August Strindberg once claimed that his novels and stories were “plays in epic form.” But Strindberg's fluid formulation of genre and medium is complicated and enriched by his understanding of narration and authorship as vampiric. In the novel The Red Room (1879) and the play The Dance of Death (1900), Strindberg attributes vampiric qualities of authorship to characters that function as narrators. Strindberg's vampires sustain themselves with language rather than blood, and the forms they use to drain their victims are inextricable from the epic narration Strindberg explicitly adapts and develops in his dramaturgy. By assigning formally generative movement across genres to vampire characters..

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University of Melbourne Researchers