The affective sublime in Lars von Trier's Melancholia and Terrence Malick's the Tree of Life

Abstract

This paper provides a comparative analysis of Lars von Trier's Melancholia (2011) and Terrence Malick's The Tree of Life (2011), two recent films that engage with the sublime aesthetic. Bringing together Brian Massumi's writing on affect with Jean-François Lyotard's understanding of the sublime, we develop the notion of the affective sublime, a theoretical methodology that locates the sublime experience at the threshold between the cognitive and the corporeal. Drawing upon Lyotard's distinction between the modern and postmodern sublime, we suggest that while The Tree of Life establishes the sublime as a central absence within a nostalgic narrative, Melancholia forces a direct collision with ..