Kay Are

Languages at Work: Defining the Place of Work-Integrated Learning in Language Studies

Lara Anderson, Kay Are, Heather Benbow

Book Chapter  |  2020

This chapter makes an argument for the place of Work-Integrated Learning (WIL) in tertiary language studies, with specific referen..

The Capstone Experience: Five principles for a connected curriculum

Mitchell Goodwin

Book Chapter  |  2019

This paper’s focus is the redesign and re-imagining of a selection of final-year capstone units in the Bachelor of Arts program at..

Touching stories: Objects, writing, diffraction and the ethical hazard of self-reflexivity

Kay Are

Journal article  |  2018  |  TEXT

This article takes up Donna Haraway’s discussion of ‘diffraction’ as a remedial to the literal self-centredness of the figure of r..

Breaking out: Rash translations

K Are

Original Creative Work  |  2018

'Breaking Out' consists of two series of creative works of very different kinds, though of a piece: First, eight mixed-media prin..

Natural Selection: A translation-in-progress of Bestiario (2014) by Beatriz Restrepo

K Are, Beatriz Restrepo Restrepo

Journal article  |  2018  |  Double Dialogues

This work uses translation and diagramming as devices in offering an interpretation of Colombian poet Beatriz Restrepo’s 2014 coll..

Natural selection: A translation-in-progress of Bestiario (2014) by Beatriz Restrepo

K Are

Journal article  |  2018  |  Axon

Assembling bodies: A new materialist approach to writing practice

K Are

Journal article  |  2015  |  Axon: Creative Explorations

How might some recent philosophical critiques grouped under the rubric of a ‘new materialism’ be brought to bear productively on c..

Spectral bodies of thought: a materialist feminist approach to Conceptual Writing

K ROZYNSKI

Book Chapter  |  2014

Sonogrammar: Gertrude Stein and the pulse of writing

K Rozynski

Conference Proceedings  |  2013

The writing body and the reading sensorium: Material calibrations of a living encounter

K Are

Conference Proceedings  |  2012

This paper turns on a concern for that convention that sees the writer dissuaded from imbuing the material dimensions of a piece o..